(When you listen to this album,you must listen it all,at once,in a good volume and never interrupt it,only when it's really necessary)
Amarok is a
record album written and mostly performed by
Mike Oldfield. It was his thirteenth album and is considered by fans to be his most distinctive work: a single sixty-minute track of continuous, uninterrupted but constantly-changing music. It is also noted for having almost none of the music or sound generated purely by electronic means, Oldfield eschewing synthesizers for "real" instruments and sound sources.
BackgroundVirgin Records had been trying to convince Oldfield to release a sequel to
Tubular Bells, though probably more for the name recognition than anything else, particularly as Oldfield's contract was due to expire. Instead, he created an album that seems to have been designed to be as much a delight to his fans as it was a frustration to Virgin.
It is next to impossible to isolate any one short, radio-friendly section of Amarok without it seeming out of place, and thus no single could be cut and released separately, nor could the album ever be played on popular radio. Similarly, Amarok has never been performed live in its entirety, though Oldfield has played excerpts from time to time. Oldfield had expressed many times his displeasure at Virgin's lack of promotion of his works, and Amarok might have been his revenge: a completely unmarketable album that still showcased his talent as a composer and performer. Oldfield did attempt to circumvent Virgin and create publicity for the album by offering a prize of £1000 of his own money to the first person to find the "secret message" hidden within it,although the competition received little coverage and consequently its impact on sales was negligible.
The message was actually a piece of
Morse code found 48 minutes into the piece and spelling out "FUCK OFF RB", a direct statement to Virgin chief
Richard Branson.
In addition to his usual impressive list of instruments, Oldfield also employed a number of items in Amarok's creation such as shoes,
spoons, a
Hoover vacuum cleaner and "contents of
aeromodeller's toolbox".
Both Amarok, along with
Heaven's Open (Oldfield's final album for Virgin) can be seen as a definite "farewell" to the company, and not an overly polite one, either. Along with the aforementioned Morse code message, the album's back cover reads: " HEALTH WARNING - This record could be hazardous to the health of cloth-eared nincompoops. If you suffer from this condition, consult your Doctor immediately ".
Though tubular bells are used on the album, they are ambiguously listed in the liner notes as "long thin metallic hanging tubes," possibly a humorous way for Oldfield to avoid bringing to mind his
first work. This may also have been one more snub at Virgin. Oldfield did not release the much-desired
sequel to Tubular Bells until he was with
Warner Bros. Records.
Many fans do claim that Amarok is to be considered "Ommadawn II", and certainly, Oldfield seems to have involved many of the same people that were a part of
Ommadawn: Jabula, Clodagh Simmonds, and Paddy Maloney performed on both. Also,
William Murray, who co-wrote the song "On Horseback" for Ommadawn, took the Amarok cover photo and wrote the short story included in the liner notes. Oldfield himself reportedly said in an interview, "It's not "Tubular Bells II"; if anything, it's "Ommadawn II".
The origin of the name has always been a point of contention. Oldfield has said in the past that it was chosen for its sound rather than any particular meaning, but numerous theories abound:
"Amaroq" is
Inuktitut for "
wolf" - in particular,
Amarok is the name of a giant wolf in Inuit mythology, reputed to hunt down lone travellers, and used by parents to frighten children.
"Amárach" is
Irish for "tomorrow." It is pronounced with a long second 'a'.
The words "amarok" and "amadán" (the origin of
Ommadawn) begin with roughly the same "ama" sound, and there is sufficient evidence that Amarok is a sequel of sorts to Ommadawn.
It could also be that since this was the next to last album that Oldfield did for Virgin Records, it may have been a pun on "(I) am a rock" that is, that Oldfield was stating that he was capable of standing on his own without Virgin.
The final part, "Africa", has the "Sondela" chorus sung in
Xhosa. In this prefix-based African language, the language itself is isiXhosa, and the nation is amaXhosa (prefix ama- for many people). Hence, "amaRok" could also be pig Xhosa for "the people of Rock" or "the rock people".
Speaking to a Dutch journalist soon after Amarok's release, Mike Oldfield commented on the title: " It doesn't have a real meaning but it's similar to many
Gaelic words, like those for morning or happy. And if you split the letters up, you get Am-a-rok... it could mean: am a rock. Maybe that implies I don't want to change anything by following trends. "
Track listingThe album-long track and its 'movement' names:
"Amarok" – 60:02– 0:00 - Fast Riff Intro
– 2:32 - Intro
– 5:46 - Climax I - 12 Strings
– 6:18 - Soft Bodhran
– 7:20 - Rachmaninov I
– 8:35 - Soft Bodhran 2
– 9:29 - Rachmaninov II
– 9:56 - Roses
– 10:42 - Reprise I - Intro
– 12:45 - Scot
– 13:16 - Didlybom
– 15:00 - Mad Bit
– 15:56 - Run In
– 16:11 - Hoover
– 18:00 - Fast Riff
– 19:57 - Lion
– 21:57 - Fast Waltz
– 23:42 - Stop
– 24:33 - Mad Bit 2
– 24:46 - Fast Waltz 2
– 25:06 - Mandolin
– 26:07 - Intermission
– 26:23 - Boat
– 29:27 - Intro Reprise 2
– 32:07 - Big Roses
– 33:13 - Green Green
– 34:24 - Slow Waltz
– 36:04 - Lion Reprise
– 37:05 - Mandolin Reprise
– 37:47 - TV am/Hoover/Scot
– 39:50 - Fast Riff Reprise
– 42:22 - Boat Reprise
– 43:32 - 12 Rep / Intro Waltz
– 44:12 - Green Reprise
– 44:46 - Africa I: Far Build
– 48:00 - Africa I: Far Dip
– 48:46 - Africa I: Pre Climax
– 49:32 - Africa I: 12 Climax
– 50:24 - Africa I: Climax I
– 51:00 - Africa II: Bridge
– 51:17 - Africa II: Riff
– 51:34 - Africa II: Boats
– 51:52 - Africa II: Bridge II
– 52:10 - Africa II: Climax II
– 54:22 - Africa III: Baker
The "Sondela" finale of "Africa III" (from 58:44 to 60:02, the end), sung in the
Xhosa language:
" Sondela / uSomandla / sukuma / wena / obengezela. "
Come closer / the Almighty / arise / you / shining one.
(Come closer to us, o Almighty: arise, you who shines.)
PersonnelMike Oldfield -
acoustic bass guitar,
acoustic guitar,
banjo,
bass guitar, bass whistles,
bouzouki, bell tree,
bodhran,
bowed guitar,
cabasa,
classical guitar,
electric guitars,
Farfisa,
Lowrey and
Vox organs,
Flamenco guitar,
glockenspiel,high-string guitar,
Jew's harp,
kalimba,
mandolin,
marimba,
melodica,
Northumbrian bagpipes,
penny whistles,
percussion,
piano,
psaltery,
rototom,
electric sitar,
spinet,
timpani,
tubular bells (listed as "long thin metallic hanging tubes"),
twelve-string guitar,
ukulele,
violin, vocals, and wonga box.
Janet Brown - voice of "
Margaret Thatcher"
Jabula -
African choir and
percussionPaddy Moloney -
tin whistleClodagh Simmonds - vocals
Bridget St John - vocals
Link:
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